Band Aid was a charity supergroup featuring mainly British and Irish musicians and recording artists. Three subsequent re-recordings of the song to raise further money for charity also topped the charts, first the Band Aid II version in and the Band Aid 20 version in and finally the Band Aid 30 version in The 12" version was mixed by Trevor Horn. The BBC played a major role in capturing the poverty affecting Ethiopian citizens and thereby influenced Geldof to take action.

Paula YatesBob Geldof's partner, is considered to have been the brains behind the original Band Aid. It was she who became the driving force that inspired and helped Geldof to rally the most famous pop stars of the s to raise money for famine relief in Ethiopia.

The group was composed of forty artists to raise awareness and funds for the Ethiopian famine in — The group's name stemmed from the idea that the musicians were providing aid to the less fortunate and suggested that their project was likened to putting a band-aid on a wound. Geldof was looking for support from all nations for Africa beginning in the United Kingdom.

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Lyrics of the song included description of the country saying, "where nothing ever grows, no rain or rivers flow, do they know it's Christmas time at all? Geldof was so moved by the plight of starving children in Ethiopia, that he decided to try to raise money using his contacts in pop music. Geldof enlisted the help of Midge Urefrom the group Ultravoxto produce a charity record. Ure took Geldof's lyrics, and created the melody and backing track for the record.

His one criterion for selection was how famous they were, to maximise sales of the record. He then kept an appointment to appear on a show on BBC Radio 1with Richard Skinnerbut instead of promoting the new Boomtown Rats material as planned, he announced the plan for Band Aid.

The recording studio gave Band Aid no more than 24 free hours to record and mix the record, on 25 November The footage was rushed to newsrooms where it aired while the remainder of the recording process continued. Later, drums by Phil Collins were recorded. The introduction of the song features a slowed down sample from a Tears for Fears ' track called "The Hurting", released in Tony Hadleyof Spandau Balletwas the first to record his vocal, while a section sung by Status Quo was deemed unusable, and replaced with section comprising Paul WellerStingand Glenn Gregory from Heaven Paul Young has since admitted, in a documentary, that he knew his opening lines were written for David Bowiewho was not able to make the recording but made a contribution to the B-side Bowie performed his lines at the Live Aid concert the following year.

At the time, Culture Club were in the middle of a US tour. The following morning, Geldof appeared on the Radio 1 breakfast show with Mike Readto promote the record further and promise that every penny would go to the cause.

This led to a stand-off with the British Governmentwho refused to waive the VAT on the sales of the single. Geldof made the headlines by publicly standing up to Prime Minister Margaret Thatcher and, sensing the strength of public feeling, the government backed down and donated the tax back to the charity. The record was released on 3 December[10] and went straight to No.

It became the fastest- selling single of all time in the UK, selling a million copies in the first week alone. It stayed at No.Sign in. Would you like to join our community and share videos, follow friends and collect media that interests you? Zodwa - Phezu Kwentaba. Worship in His Presence with Benjamin Dube. TV Introducing 1.

Wasara Wasara Mkhululi Joyous Celebration Vuyo Mokoena and Jabu Hlongwane Inqanawe. Vuma Moya Wam Jabu Hlongwane. Spirit Of Praise 3 feat.

Solly Mahlangu - Oa Ntaela Moya.

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Solly Mahlangu - Nzulu Ye Mfihlakalo. Solly Mahlangu - E Baba. Spirit Of Praise 2 feat. Solly Mahlangu - Naltzulu. Solly mahlangu Worship. Solly Mahlangu Emmanuel.

Twasa - Conversations Day 1. Tshepiso- Khotso khotso. Solly Mahlangu - U Thando Iwami. Solly Mahlangu - Bayete.

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S'fiso Ncwane-Uzophendula. S'fiso Ncwane-Thuma mina Baba.

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S'fiso Ncwane-Ngiyabonga kuwe Baba. S'fiso Ncwane-Ngibubonile ubukhulu bakho. Sfiso Ncwane-kulungile.It is with some hesitation that I offer this volume to the scientific public.

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The text of the ancient songs which it contains offers extreme and peculiar difficulties to the translator, and I have been obliged to pursue the task without assistance of any kind. Not a line of them has ever before been rendered into an European tongue, and my endeavors to obtain aid from some of the Nahuatl scholars of Mexico have, for various reasons, proved ineffectual.

I am therefore alone responsible for errors and misunderstandings. Nevertheless, I have felt that these monuments of ancient native literature are so interesting in themselves, and so worthy of publication, that they should be placed at the disposition of scholars in their original form with the best rendering that I could give them at present, rather than to await the uncertain event of years for a better.

The text itself may be improved by comparison with the original MS. My own efforts in this direction have been confined to a faithful reproduction in print of the MS.

The Notes, which might easily have been extended, I have confined within moderate compass, so as not to enlarge unduly the bulk of the volume. To some, the Vocabulary may seem inadequate. Julius Platzmann for the reprint of Molina. I also assume that such students will acquaint themselves with the rules of grammar and laws of word-building of the tongue, and that they will use the vocabulary merely as a labor-saving means of reaching the themes of compounds and unusual forms of words.

Employed in this manner, it will, I hope, be found adequate. In conclusion, I would mention that there is a large body of Nahuatl literature yet unpublished, both prose and poetry, modern and ancient, and as the Nahuatl tongue is one of the most highly developed on the American continent, it is greatly to be desired that all this material should be at the command of students.

The Nahuatl, moreover, is not a difficult tongue; for an Englishman or a Frenchman, I should say it is easier to acquire than German, its grammar being simple and regular, and its sounds soft and sonorous.

It has special recommendations, therefore, to one who would acquaint himself with an American language. The passionate love with which the Nahuas cultivated song, music and the dance is a subject of frequent comment by the historians of Mexico. These arts are invariably mentioned as prominent features of the aboriginal civilization; no public ceremony was complete without them; they were indispensable in the religious services held in the temples; through their assistance the sacred and historical traditions were preserved; and the entertainments of individuals received their chief lustre and charm from their association with these arts.

The profession of the poet stood in highest honor. It was the custom before the Conquest for every town, every ruler and every person of importance to maintain a company of singers and dancers, paying them fixed salaries, and the early writer, Duran, tells us that this custom continued in his own time, long after the Conquest. He sensibly adds, that he can see nothing improper in it, although it was condemned by some of the Spaniards.

We are told that the chief selected the song which was to be sung, and the tune by which it was to be accompanied; and did any one of the choir sing falsely, a drummer beat out of time, or a dancer strike an incorrect attitude, the unfortunate artist was instantly called forth, placed in bonds and summarily executed the next morning! With critics of such severity to please, no wonder that it was necessary to begin the training early, and to set apart for it definite places and regular teachers.

Therefore it was one of the established duties of the teachers in the calmecac or public school, "to teach the pupils all the verses of the sacred songs which were written in characters in their books.

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After the Conquest the Church set its face firmly against the continuance of these amusements.Magic at the Musicals. Some Enchanted Evening by South Pacific. Magic Chilled.

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Miri Green. Mellow Magic. Handbags And Gladrags by Rod Stewart. Magic Workout. Don't Go Breaking My Heart. Magic Breakfast with Paul Hayes. Paul's in for Ronan and Harriet, playing more of the songs you love from 6am. Join us on Instagram and Facebook: just search for Magic Radio. Email us: morning magic.

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Mid-Mornings with Nick Snaith. Nick Snaith brings you more of the songs you love. Afternoons with Emma B. Join Emma B with more of the songs you love to get you through the afternoon. Listen to more stations from Magic. Latest from Magic Radio Featured Music. Magic listeners share their furry work from home buddies! Humour 19th Mar Magic Breakfast Birthdays! Win 23rd Mar Magic at the Musicals announcement Music Events.

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Win 9th Apr Just played on Magic Radio. Let's Groove Earth Wind and Fire. September Earth Wind and Fire. Stars Simply Red. Gold Spandau Ballet. True Spandau Ballet.

Picture Of You Boyzone. Eternal Flame The Bangles. Manic Monday The Bangles. Tiny Dancer Elton John.Facebook Google Twitter. Password Hide. Remember me. I agree to the Terms. Lost your password? Please enter your email address. You will receive a link to create a new password. Toggle navigation. Embed Script. Size px x x x x ISBN 0———7 alk.

Ethnology—South Africa. Material culture—South Africa. South Africa—History. South Africa—Politics and government. South Africa—Social life and customs. A36 '. No portion of this book may be reproduced, by any process or technique, without the express written consent of the publisher. It is four times the size of the United States, excluding Alaska. It is the cradle of human civilization. Ecological and cultural differences vary from one region to another.

As an old continent, Africa is one of the richest in culture and customs, and its contributions to world civilization are impressive indeed. Africans regard culture as essential to their lives and future development. Culture embodies their philosophy, worldview, behavior patterns, arts, and institutions.The June- July was a success.

The two week trip was filled with joy and fun as the team met friends from AIC Katisaa. Read more: Kenya Mission prep. We had another great trip to Machakos Kenya from September 11th to the 25th of This was our 5th trip there since and there have been some major changes both in the church at AIC Katissa and in the town of Machakos. The church now has 3 floors built and all it needs are the walls of the 3rd floor and roof to go.

This year instead of working on the kitchen, a picnic area, or a well, we concentrated on getting ready to go up to the third level of the church. We helped recycle the boards and nails that were used for pouring the concrete supports.

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The six ish year old males we worked with pulled rusty nails out of recycled boards in flip flops for 3USD a day. Read more: Kenya Mission Trip. Update as of Octoberbeams for the roof are now being put in place. Our next mission trip will be around September, we welcome you to join us. For more information send us an email using the contact us button on the main page.

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Read more: Construction update. Read more: Construction It has made a big difference in a tiny village. Read more: Columbus Church Collect Donations. Yesu atakaporudi When Jesus returns. Are you ready? Then he gradually stepped to the forefront. This letter is written with sincere thanks for all the support that was given for the trip to the African Inland Church Katisaa in Machakos Kenya.

Read more: Letter from kenya Team. The Project General facts about Katisaa Project. The Old kitchen that was being used. The Mission trip to Kenya is over and the team is back from Kenya. This was the 4th trip and even though the team was made up of 4 people, Joshua Kiilu, Neal Whison, David Bain and Ashley Burton, we were able to build a new kitchen for the AIC Katisaa church, while they await their permanent kitchen that will be located on the 3rd floor of the new building.

African odyssey: help for Kenyans, inspiration for Hoosiers Native son leads Columbus church members on a mission that opens eyes as it touches hearts In Machakos, an impoverished city in Kenya, school supplies are so scarce that children share everything -- even something as small as a pencil. Kiilu, a native of Machakos, relocated to the U.

Inwith the support of North Christian Church in Columbus, Kiilu began making trips from Indiana to Machakos to build an educational center.The first item on the Order Paper You need to calm down.

The hon Deputy Chief Whip? Amongst its other duties, the House has an obligation to South Africans to pass legislation, as prescribed by the Constitution.

We are, however, disappointed that it has taken this House five months to revive these important Bills that are before us today. Further to this, we are not in favour of all these Bills. Sadly, these views were removed from the draft committee report and excluded from the report that was tabled in this House. The purpose of committee reports is to facilitate debate and equip members of this House with adequate content to make a decision.

The Rabs Bill failed and the report which facilitated the debate was flawed in its reflection of what transpired in the committee. Furthermore, in its current form, the Hate Speech Bill would criminalise the causing of offence.

It is an ill- fated attempt to address the growing culture of intolerance through legislation and which will, in all likelihood, exacerbate the culture of intolerance in our country. Most importantly, the measures proposed in the Bill will certainly have the effect of eroding freedom of speech in an unjustifiable manner.

The International Crimes Bill, for instance, is a bad piece of legislation which typifies the legacy of the Zuma administration, when the ANC acted on all of its worst instincts. We will argue further in committees and, needs be, we will oppose some of these Bills when it comes to the House. Nonetheless, we are in favour of the revival of these Bills, with the concerns mentioned.

Thank you. We actually welcome the revival of all the Bills that are coming through to this House. This is because the primary objective and duties of Members of Parliament is to look after the legislation and ensure that we create and develop all the laws that will benefit the society of South Africa.

We know the impact this has on our people in particular people in the rural areas and the townships, who live very far from the facilities of health care in South Africa. We will further introduce two Bills that will benefit the society - the liquor Bill as well as the insourcing Bill.

We have seen what insourcing has done for people of South Africa in Johannesburg through the insourcing of securities. We welcome that and hope that all parties here will work together with the EFF in forwarding the objectives of Parliament as well as helping the South African community.

Thank you very much. Rule 2 states that, when the Assembly is dissolved, all Bills before the Assembly or any Assembly committee lapse at the end of that day. This is repeated in Rulehence the tabling of this motion. The issue was discussed in the Chief Whips Forum and the Programming Committee, and it was agreed that Bills that have lapsed will, when the Assembly revives them like.

We have newly-elected Members of Parliament who must apply themselves to these Bills in terms of section This states categorically the powers of the National Assembly which, when exercising its legislative power may a consider, b pass, c amend or reject any legislation before the National Assembly. So, the Sixth Parliament must then apply section 55 in its entirety and it is not bound by the provisions of the Fifth Parliament. Our support of this motion does not mean that we will support those Bills which need due consideration by Members of this Parliament.

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Those where the member that introduced them in the Fifth Parliament has been re-elected and can now re-introduce or continue with that Bill which has lapsed. So, the ACDP supports this motion. I thank you.

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